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Archive
Archive
Reality takes centre stage at German Film Festival
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The night I cooked schnitty for Barry Humphries
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Wine reviews: Our finest luxuries under the spotlight
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Jessica Dean arrives home on the HMS Pinafore
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Poem: Masquerades
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Diary of a Book Addict: Stories of love, loss and family
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The ‘artwashing’ debate arrives in Adelaide
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Green Room: Ramsay finalists, art commission callout
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Amplifying First Nations voices in the arts
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Theatre review: Miss Julie (After Strindberg)
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Musical review: The Rocky Horror Show
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Artwork highlights Australia’s changing attitudes to war
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Poem: The Chasm
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Menu exhibition serves up a slice of Adelaide’s social history
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Holden Street turns to Tallulah as it enters a new era
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Wine reviews: The Barossa’s secret powerhouse
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Film review: Mafia Mamma
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Green Room: Music in the hills and vines, supporting Laura’s journey to recovery
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A triptych of contrasting poems
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From the Hillbilly Hoot to the Archibald: portrait captures ‘a legend in Adelaide’
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Film review: EO
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Film review: AIR
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Poem: Birdsong elegy
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Music festival review: Vintage Vibes
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Historic Piccadilly Cinema mural uncovered after 60 years
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Wine reviews: The ocean phenomenon shaping great SA wines
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Green Room: Bard news and Brilliant Things
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Musical review: Come From Away
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Poem: Emma (Taman) Burwell
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Beyond words: Pip Williams on her new novel The Bookbinder of Jericho
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Diary of a Book Addict: Children lost – and found
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Restaurant review: Bandit Pizza and Wine
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Film review: Masquerade
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Poem: The Man Who Won a Lottery
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French Film Fest takes audiences from terror-struck Paris to the Côte d’Azur
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Music review: Jordi Savall with Hespèrion XXI
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Film review: Aftersun
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Entries sought for health-themed SA arts prize
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Film review: Women Talking
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Wine reviews: Wandering with intent at Willunga
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Poem: Suburban Wildlife
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Restaurant review: Umaii
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Book extract: The Boy in Time
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Where next for Rumpus Theatre?
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Film review: Corsage
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Poem: Bowerbird
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How far will Revive go in rebuilding Australia’s arts sector?
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Wine reviews: A white out of left field
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