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features
Archive
Union Hall: a new performing arts venue with a rich history
The best thing about horror film The School is its poster
Poem: a living, giving garden …
North by Northwest: it’s action, action, action
Archive
Film review: Mortal Engines
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Sonic Blossom: A gift between strangers in a gallery
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Elder Wing’s new hang takes a fresh look at Australian art
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Poems: At Stansbury & Coorong
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From SA to Mosul to the big screen
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Review: The Merry Widow
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Film review: I, Claude Monet
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Poems: Adelaide & The Old Town Still Lives Strong
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Why we need to rethink ‘remote’
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Film review: Robin Hood
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Art of the City: Adelaide Parklands’ quiet and unmoving sentinels
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Poems: Red Dust & River-town Home
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Theatre review: The Gods of Strangers
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Dance review: Divercity
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More cinema under the stars in the city
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Film review: Spitfire
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Kangaroo Island: At Hanson Bay
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Review: Harry Potter and the Prisoner of Azkaban in Concert
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OzAsia review: Andropolaroid 1.1
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OzAsia review: Secret Love in Peach Blossom Land
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Holden Street dishes up a queer theatre feast
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Climate change art for the 21st century
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Film review: The Girl in the Spider’s Web
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OzAsia review: Patina builds layer upon layer of beauty
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Poem: Kangaroo Island
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OzAsia review: War Sum Up
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A multicultural drama of strangers in a strange land
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OzAsia review: Sutra
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OzAsia review: Cerita Anak (Child’s Story)
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OzAsia review: Once upon a time there was Nassim
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Music review: ASO’s Firebird
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Film review: Fahrenheit 11/9
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OzAsia review: While I Was Waiting
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OzAsia review: Baling
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OzAsia review: Salt
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Poem: Journey to Hadong
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Life on the streets of Havana
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Theatre review: Lines
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Stars bridge the gap between so-called high and low art
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OzAsia review: Guru of Chai
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OzAsia 2018: InDaily’s top six picks
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A family affair at Tarnanthi Art Fair
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Boy Erased is a ‘safe’ take on the horrors of gay conversion
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OzAsia film review: Ashwatthama
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